— Regis Zaleman, New Lab
Digital Painting
Jack’s three sketches
Father Death Blues (Don’t Grow Old, Part V)
Hey poor man, you’re all alone
Hey old daddy, I know where I’m going
Father Death, Don’t cry any more
Mama’s there, underneath the floor
Brother Death, please mind the store
Old Aunty Death Don’t hide your bones
Old Uncle Death I hear your groans
O Sister Death how sweet your moans
O Children Deaths go breathe your breaths
Sobbing breasts’ll ease your Deaths
Pain is gone, tears take the rest
Genius Death your art is done
Lover Death your body’s gone
Father Death I’m coming home
Guru Death your words are true
Teacher Death I do thank you
For inspiring me to sing this Blues
Buddha Death, I wake with you
Dharma Death, your mind is new
Sangha Death, we’ll work it through
Suffering is what was born
Ignorance made me forlorn
Tearful truths I cannot scorn
Father Breath once more farewell
Birth you gave was no thing ill
My heart is still, as time will tell.
House 44 Sketches
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| Anna | Brian | Chase |
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| Claire | Clay | Emlyn |
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| Grace | Jaime | Kyle |
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| Logan | Lucy | Matteo |
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| Sophie | Stephen | Susannah |
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| William | Zachary |
McElfresh House Student Sketches
Two sketches by Alex K., ’17
Four sketches by Chase C., ’17:
Front and Back covers of the Sketchbook:
Interior Sketches
One sketch by Cyan H., ’17
Two sketches by Jake L., ’17
Two sketches by Lumia N., ’17
One sketch by Veronica S-F., ’17
Mack’s Sketches
Full Cast
Muffin Man in the bottom
Cast of Glee (TV series)
Fanciful Creations
The need to cover the entire page and reuse the space…
Sketches during the Macaulay assembly on October 16th
— Mack M., ’14
Poetic Reaction
Bailey Edwards, ’12

Lily Susman, ’12

Out, Out —
The buzz-saw snarled and rattled in the yard
And made dust and dropped stove-length sticks of wood,
Sweet-scented stuff when the breeze drew across it.
And from there those that lifted eyes could count
Five mountain ranges one behind the other
Under the sunset far into Vermont.
And the saw snarled and rattled, snarled and rattled,
As it ran light, or had to bear a load.
And nothing happened: day was all but done.
Call it a day, I wish they might have said
To please the boy by giving him the half hour
That a boy counts so much when saved from work.
His sister stood beside them in her apron
To tell them “Supper.” At the word, the saw,
As if to prove saws knew what supper meant,
Leaped out at the boy’s hand, or seemed to leap—
He must have given the hand. However it was,
Neither refused the meeting. But the hand!
The boy’s first outcry was a rueful laugh,
As he swung toward them holding up the hand
Half in appeal, but half as if to keep
The life from spilling. Then the boy saw all—
Since he was old enough to know, big boy
Doing a man’s work, though a child at heart—
He saw all spoiled. “Don’t let him cut my hand off—
The doctor, when he comes. Don’t let him, sister!”
So. But the hand was gone already.
The doctor put him in the dark of ether.
He lay and puffed his lips out with his breath.
And then—the watcher at his pulse took fright.
No one believed. They listened at his heart.
Little—less—nothing!—and that ended it.
No more to build on there. And they, since they
Were not the one dead, turned to their affairs.
Owl in the Tree
Five Donnelley House Students
Nora S. ’17 (Replicating the cover of The Day of the Pelican)
Jack K., ’17
Zeinab T. ’17
James W. ’17
Priya M. ’17



















































































