{"id":8,"date":"2008-01-18T11:38:33","date_gmt":"2008-01-18T16:38:33","guid":{"rendered":"http:\/\/blogs.dalton.org\/rome\/drama-resources\/"},"modified":"2018-08-14T22:29:51","modified_gmt":"2018-08-15T03:29:51","slug":"drama-resources","status":"publish","type":"page","link":"https:\/\/blogs.dalton.org\/rome\/drama-resources\/","title":{"rendered":"Drama Resources"},"content":{"rendered":"<p style=\"text-align: center\"><img decoding=\"async\" src=\"http:\/\/blogs.dalton.org\/rome\/files\/2008\/01\/drama2.jpg\" alt=\"drama2.jpg\" \/><\/p>\n<p><a href=\"http:\/\/www.didaskalia.net\/studyarea\/introtoancienttheatre.html\">DIDASKALIA: Introduction to Ancient Theater<\/a><\/p>\n<p><a href=\"http:\/\/www.theatron.org\/\">Theatron: Theatre History in Europe, Architectural and Textual Resources Online<\/a><br \/>\n&#8220;The history of theatre, the earliest known form of virtual reality, is brought vividly to life in an online teaching and research tool.&#8221;<\/p>\n<p><a href=\"http:\/\/penelope.uchicago.edu\/Thayer\/E\/Gazetteer\/Periods\/Roman\/Topics\/Architecture\/Structures\/theatres\/home.html\"> Roman Theatres <\/a><br \/>\nCourtesy of LacusCurtius by Bill Thayer.<\/p>\n<p><a href=\"http:\/\/penelope.uchicago.edu\/Thayer\/E\/Roman\/Texts\/secondary\/SMIGRA*\/Theatrum.html\">Theatrum<\/a><br \/>\nArticle by Leonhard Schmitz, Ph.D, F.R.S.E on pp1120\u20111125 of William Smith, D.C.L., LL.D.: A Dictionary of Greek and Roman Antiquities, John Murray, London, 1875. Courtesy of LacusCurtius by Bill Thayer.<\/p>\n<p><a href=\"https:\/\/www.whitman.edu\/theatre\/theatretour\/home.htm\">The Ancient Theatre Archive: A Virtual Reality Tour of Greek and Roman Theatre Architecture<\/a><br \/>\n<span style=\"font-family: Arial\">\u00a9<\/span> 2002-2015 Thomas G. Hines Whitman College Department of Theatre (retired). All Rights Reserved.<\/p>\n<p><a href=\"https:\/\/www.whitman.edu\/theatre\/theatretour\/glossary\/glossary.htm\">Greek- Roman Theatre Glossary Theatre Architecture<\/a><br \/>\nExcerpted from The Ancient Theatre Archive: A Virtual Reality Tour of Greek and Roman\u00a0<span style=\"font-family: Arial\">\u00a9<\/span> 2002-2015 Thomas G. Hines Whitman College Department of Theatre (retired). All Rights Reserved.<\/p>\n<p><a href=\"http:\/\/homepage.usask.ca\/%7Ejrp638\/skenotheke.html\">Skenotheke: Images of the Ancient Stage<\/a> &#8220;This project offers links to various images of the ancient stage. Of necessity, it is very much a work in progress. Anyone interested in contributing to the project is urged to do so: scanned images, links to pages on other web sites, bibliographic entries, or simply comments or advice are all welcome&#8221; By John Porter. Courtesy of the Program in Classical and Near Eastern Archaeology, University of Saskatchewan.<\/p>\n<p><a href=\"http:\/\/www.roman-colosseum.info\/roman-life\/roman-theatre.htm\"> Roman Theater<\/a><br \/>\nIntroduction to the Roman theater. Copyright Roman Colosseum \u00a9 2008<\/p>\n<p><a href=\"http:\/\/www.theaterseatstore.com\/ancient-roman-theater\">Ancient Roman Theater<\/a><br \/>\n&#8220;A thriving and diverse form of art which ranged from street performances, acrobatics, and nude dancing to the staging of the situational comedies of Plautus and the elaborately articulated tragedies by Seneca, the theater of Ancient Rome evolved over time. Roman theater and drama did not remain stagnant but went through a whole cycle of development which included three phases: <b>Early Native Italian Drama<\/b> (pre-240 BCE) including such things such as Atellan farces, <em>phlyakes<\/em> and the Fescennine verses, <b>Literary Drama<\/b> (240 BCE \u2013 ca. 100 BCE) featuring the Roman adaptation of Greek plays and a period of <b>Popular Renaissance<\/b> (ca. 100 BCE &#8211; 476 CE) where more traditional Roman entertainment such as circuses, spectacles and mime were popular.&#8221; Courtesy of TheaterSeat Store.<\/p>\n<p><a href=\"http:\/\/www.theatrehistory.com\/ancient\/roman.html\">Ancient Theater: Roman<\/a><br \/>\nArticles on Roman theater. Courtesy of TheaterHistory.com.<\/p>\n<p><a href=\"http:\/\/www.theatredatabase.com\/ancient\/roman_theatre_001.html\">Roman Theatre<\/a><br \/>\nThe following article is reprinted from Lectures on Dramatic Art and Literature. August Wilhelm Schlegel. London: George Bell &amp; Sons, 1904. pp. 200-12.. Courtesy of Theatre Database.com.<\/p>\n<p><a href=\"http:\/\/www.crystalinks.com\/rometheaters.html\">Ancient Roman Theaters\u00a0<\/a><br \/>\nOverview of both the history and architecture of Roman theater. Courtesy of Crystalinks: Metaphysics and Science website.<\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Theatre_of_ancient_Rome\">Theatre of ancient Rome<\/a><br \/>\n&#8220;Theatre of ancient Rome refers to the time period of theatrical practice and performance in Rome beginning in the 4th century B.C., following the state\u2019s transition from Monarchy to Republic.&#8221;. Courtesy of Wikipedia.<\/p>\n<p><a href=\"http:\/\/www.theatrehistory.com\/ancient\/comedy001.html\">Greek and Roman Comedy<\/a><br \/>\nArticles on Roman theater. Courtesy of TheaterHistory.com.\u00a0 The document was originally published in The Development of the\u00a0 Drama. Brander Matthew. New York: Charles Scribner&#8217;s Sons 1912 pp74-106.<\/p>\n<p><a href=\"http:\/\/homepage.usask.ca\/~jrp638\/CourseNotes\/comintro.html\">Greek and Roman Comedy-A Brief Introduction<\/a><br \/>\nby John Porter, University of Saskatchewan.<\/p>\n<p><a href=\"http:\/\/homepage.usask.ca\/~jrp638\/CourseNotes\/RomNewCom.html\"> Roman New Comedy<\/a><br \/>\nby John Porter, University of Saskatchewan.<\/p>\n<p><a href=\"http:\/\/www.metmuseum.org\/toah\/hd\/tham\/hd_tham.htm\">Theater and Amphitheater in the Roman World<\/a><br \/>\nCourtesy of Metropolitan Museum of Art.<\/p>\n<p><a href=\"http:\/\/www.vroma.org\/~plautus\/theatmodlab.jpg\">Computer generated model of a Roman Theater with labels<\/a><br \/>\nCourtesy of VRoma Project<\/p>\n<p><a href=\"http:\/\/www.pompey.cch.kcl.ac.uk\/\">The Pompey Project: King&#8217;s Visualisation lab<\/a><br \/>\nHistory, reconstructions, and a review of the archaeological evidence relating to the Theater of Pompey.<\/p>\n<p><a href=\"http:\/\/www.maquettes-historiques.net\/P16b.html\">Theater of Pompey<\/a><br \/>\nReconstructions of the Theater of Pompey. Courtesy of Maquettes Historiques.<\/p>\n<p><a href=\"http:\/\/penelope.uchicago.edu\/Thayer\/E\/Gazetteer\/Places\/Europe\/Italy\/Lazio\/Roma\/Rome\/_Texts\/PLATOP*\/Theatrum_Pompei.html\">Theatrum Pompei<\/a><br \/>\nArticle on pp515\u2011517 of Samuel Ball Platner (as completed and revised by Thomas Ashby): A Topographical Dictionary of Ancient Rome,<br \/>\nLondon: Oxford University Press, 1929.<\/p>\n<p><a href=\"https:\/\/www.romanoimpero.com\/2010\/06\/teatro-di-pompeo.html\">The Theater of Pompey<\/a><br \/>\nCourtesy of Imperium Romanum<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=t2mOd7lIGOE\">Ancient Rome: The Theater of Pompey<\/a><br \/>\nCourtesy of YouTube.<\/p>\n<p><a href=\"https:\/\/www.ut.ee\/klassik\/sht\/2006\/temelini1.pdf\">Pompey&#8217;s Politics and the Presentation of his Theatres -Temple Complex 61-52 BCE.<\/a><br \/>\nBy Mark Temelini<\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/List_of_Roman_theatres\">Lists of Roman theatres\u00a0<\/a><br \/>\nTheatres built during the Roman period may be found all over the area of the Roman Empire. Some were older theatres that were re-worked. Courtesy of Wikipedia.<\/p>\n<p>&nbsp;<\/p>\n<p>Aeschylus<\/p>\n<ul>\n<li><a href=\"http:\/\/classics.mit.edu\/Aeschylus\/agamemnon.html\">Agamemnon (Trans. E. D. A. Morshead)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Aeschylus\/eumendides.html\">Eumenides (Trans. E. D. A. Morshead)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Aeschylus\/prometheus.html\">Prometheus bound<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Aeschylus\/choephori.html\">The Choephori (Trans. E. D. A. Morshead)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Aeschylus\/persians.html\">The Persians (Trans. R. Potter)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Aeschylus\/seventhebes.html\">The Seven Against Thebes (Trans. E. D. A. Morshead)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Aeschylus\/suppliant.html\">The Suppliants (Trans. E. D. A. Morshead)<\/a><\/li>\n<\/ul>\n<p>Aristophanes<\/p>\n<ul>\n<li><a href=\"http:\/\/www.perseus.tufts.edu\/cgi-bin\/ptext?doc=Perseus%3Atext%3A1999.01.0242\">Lysistrata (ed. Jack Lindsay)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Aristophanes\/acharnians.html\">The Acharnians (Trans. Anonymous)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Aristophanes\/birds.html\">The Birds (Translated by Anonymous)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Aristophanes\/clouds.html\">The Clouds (Trans. Anonymous)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Aristophanes\/eccles.html\">The Ecclesiazusae (Trans. Anonymous<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Aristophanes\/frogs.html\">The Frogs (Trans. Anonymous)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Aristophanes\/knights.html\">The Knights (Trans. Anonymous)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Aristophanes\/peace.html\">Peace (Trans. Anonymous)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Aristophanes\/plutus.html\">Plutus (Trans. Anonymous)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Aristophanes\/thesmoph.html\">The Thesmophoriazusae (Trans. Anonymous)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Aristophanes\/wasps.html\">The Wasps (Trans. Anonymous)<\/a><\/li>\n<\/ul>\n<p>Euripides<\/p>\n<ul>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/alcestis.html\">Alcestis (Trans. R. Aldington)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/andromache.html\">Andromache (Trans. E. P. Coleridge)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/electra_eur.html\">Electra (Trans. E. P. Coleridge)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/hecuba.html\">Hecuba (Trans. E. P. Coleridge)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/helen.html\">Helen (Trans. E. P. Coleridge)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/heracles.html\">Heracles (Trans. E. P. Coleridge)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/hippolytus.html\">Hippolytus (Trans. E. P. Coleridge)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/ion.html\">Ion (Trans. R. Potter)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/iphi_aul.html\">Iphigenia at Aulis<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/iph_taur.html\">Iphigenia in Tauris (Trans. R. Potter)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/medea.html\">Medea (Trans. E. P. Coleridge)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/orestes.html\">Orestes (Trans. E. P. Coleridge)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/rhesus.html\">Rhesus<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/bacchan.html\">The Bacchantes<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/cyclops.html\">The Cyclops Trans. E. P. Coleridge)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/heracleidae.html\">The Heracleidae (Trans. E. P. Coleridge)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/phoenissae.html\">The Phoenissae (Trans. E. P. Coleridge)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/suppliants.html\">The Suppliants (Trans. E. P. Coleridge)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Euripides\/troj_women.html\">The Trojan Women<\/a><\/li>\n<\/ul>\n<p>Sophocles<\/p>\n<ul>\n<li><a href=\"http:\/\/classics.mit.edu\/Sophocles\/colonus.html\">Oedipus at Colonus (Trans. F. Storr)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Sophocles\/oedipus.html\">Oedipus the King (Trans. F. Storr)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Sophocles\/ajax.html\">Ajax (Trans. R. C. Trevelyan)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Sophocles\/antigone.html\">Antigone (Trans. Sir R. C. Jebb)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Sophocles\/electra.html\">Electra (Trans. Sir R. C. Jebb)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Sophocles\/philoct.html\">Philoctetes (Trans. T. Francklin)<\/a><\/li>\n<li><a href=\"http:\/\/classics.mit.edu\/Sophocles\/trachinae.html\">The Trachiniae (Trans. Sir R. C. Jebb)<\/a><\/li>\n<\/ul>\n<p>Book Reviews<\/p>\n<ul>\n<li><a href=\"http:\/\/ccat.sas.upenn.edu\/bmcr\/1998\/1998-12-14.html\">T. P. Wiseman Roman Drama and Roman History<br \/>\n<\/a> Reviewed by Gary Forsythe<\/li>\n<li><a href=\"http:\/\/ccat.sas.upenn.edu\/bmcr\/1999\/1999-06-23.html\">John Barsby, ed.Terence. Eunuchus. Cambridge Greek and Latin Classics.<br \/>\n<\/a> Reviewed by Sander M. Goldberg<\/li>\n<li><a href=\"http:\/\/ccat.sas.upenn.edu\/bmcr\/1995\/95.09.18.html\">Costas Panayotakis, Theatrum Arbitri: Theatrical Elements in the Satyrica of Petronius. Mnemosyne<br \/>\n<\/a> Reviewed by Niall W. Slater<\/li>\n<li><a href=\"http:\/\/ccat.sas.upenn.edu\/bmcr\/1995\/95.09.17.html\">Costas Panayotakis, Theatrum Arbitri: Theatrical Elements in the Satyrica of Petronius. Mnemosyne<br \/>\n<\/a> Reviewed by Wade Richardson<\/li>\n<li><a href=\"http:\/\/ccat.sas.upenn.edu\/bmcr\/1997\/97.02.20.html\">Susanna Morton Braund, The Roman Satirists and Their Masks<br \/>\n<\/a> Reviewed by Catherine Keane<\/li>\n<li><a href=\"http:\/\/www.ucd.ie\/cai\/classics-ireland\/1998\/Sidwell98.html\">Richard C. Beacham, The Roman Theatre and Its Audience and J.R. Green Theatre in Ancient Greek Society<\/a><a href=\"http:\/\/www.ucd.ie\/%7Eclassics\/98\/Sidwell98.html\"><br \/>\n<\/a> Reviewed by Keith Sidwell<\/li>\n<li><a href=\"http:\/\/ccat.sas.upenn.edu\/bmcr\/2000\/2000-01-11.html\">Deena Berg and Douglass Parker (trans.),Plautus &amp; Terence: Five Comedies. Miles Gloriosus, Menaechmi, Bacchides, Hecyra, Adelphoe.<\/a> Reviewed by David W. Frauenfelder<\/li>\n<li><a href=\"http:\/\/bmcr.brynmawr.edu\/2010\/2010-02-49.html\">Ian C. Storey,Euripides: Suppliant Women. Duckworth Companions to Greek and Roman Tragedy.<\/a> Reviewed by Simon Perris<\/li>\n<li><a href=\"http:\/\/bmcr.brynmawr.edu\/2010\/2010-03-54.html\">William S. Anderson, A Terence Reader: Selections from Six Plays. BC Latin Readers.<\/a>Reviewed by John Barsby<\/li>\n<li>Micheal Fontaine, <a href=\"http:\/\/bmcr.brynmawr.edu\/2014\/2014-06-52.html\">Funny Words in Plautine Comedy<\/a>, Reviewed by James Tatum<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>DIDASKALIA: Introduction to Ancient Theater Theatron: Theatre History in Europe, Architectural and Textual Resources Online &#8220;The history of theatre, the earliest known form of virtual reality, is brought vividly to life in an online teaching and research tool.&#8221; Roman Theatres Courtesy of LacusCurtius by Bill Thayer. Theatrum Article by Leonhard Schmitz, Ph.D, F.R.S.E on pp1120\u20111125 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.dalton.org\/rome\/wp-json\/wp\/v2\/pages\/8","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.dalton.org\/rome\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.dalton.org\/rome\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.dalton.org\/rome\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.dalton.org\/rome\/wp-json\/wp\/v2\/comments?post=8"}],"version-history":[{"count":0,"href":"https:\/\/blogs.dalton.org\/rome\/wp-json\/wp\/v2\/pages\/8\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.dalton.org\/rome\/wp-json\/wp\/v2\/media?parent=8"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}